Frequently Asked Questions – UK & I
How do I apply?
What are the submission period and fees?
What information willI need for the application?
I’ve submitted The Writers Lab US. Do I have to submit separately to be considered for The Writers Lab UK & I?
Why must I register my script for copyright before applying?
How many scripts can I apply with?
Can writing partners apply?
What if I can’t pay by credit card?
What if I can’t afford the application fee?
Is it possible to submit an updated draft after I’ve applied?
What if I can’t submit online? Can I deliver my application in person?
Why do you charge an application fee?
Are there additional fees associated with attending the Lab Retreat?
Should I have industry contacts call or e-mail with references?
How will I be notified about acceptance?
I haven’t recieved notification about my acceptance, but I know others who have? Why is that?
Am I eligible to apply?
Why does the application ask for my birthday?
I am a UK citizen living abroad. Am I eligable to apply?
Do I need to provide proof of birthdate, passport or visa with my application?
I don’t have much experience. Does this affect my chances for acceptance?
What are The Writers Lab UK&I dates?
Does The Writers Lab provide transportation to the Lab?
What kind of production support does the Lab offer?
If my script is good enough to be accepted why do I need to develop it further?
Does TWL UK&I offer any follow-up for writers beyond the Lab?
Is there a correct length for a script?
Are there any requirements regarding the software I use to write?
What file formats can i use to submit my script?
Will you consider scripts not written in English?
Can I reapply with the same script as last year?
Can i submit a script based on a book or an adaptation?
Can I submit a treatment if i don’t think I’ll have a completed draft by the deadline?
What does The Writers Lab consider complete?
Will my ideas be protected?
Do you accept scripts that have been submitted elsewhere?
Top Reason Your Script Was Not Selected
Typos, spelling and/or formatting errors
Poor or confusing world-building
Poor or confusing story set-up
Weak protagonist arc (Often because the stakes are low)
Script is overwritten
Excessive and/or ineffective dialogue
Concept is overdone or lacks relevance.
Poor or clichéd gender representation
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